ED ALSTROM
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Ed Alstrom

Ed Alstrom.Ed Alstrom grew up in Ridgewood, New Jersey. Started playing organ at age 5, guitar and bass as a teenager. Didn't acquire a piano in the Alstrom household until he was 12, at which time his father brought home an old pedal-pump player piano, on which he activated the broken player mechanism by connecting a canister vacuum cleaner and running it in reverse, which caused the piano rolls to play at blinding speed. Young Alstrom found this highly entertaining.

He performed in the requisite rock bands through high school, but also studied church organ and dabbled in every other conceivable type of music. He attended Westminster Choir College in Princeton, NJ and escaped with a B.M. in Organ Performance, despite playing in disco lounges nearly every night.

In November of 2009, he is starting a new position as Organist/Choir Director at CHURCH OF THE REDEEMER in Morristown, NJ, and will be heard there at most Sunday morning services at 10:30. (If he's not there, he's usually at Yankee Stadium during baseball season).

Alstrom has performed with Bette Midler, Chuck Berry, Leonard Bernstein, Herbie Hancock, Eddie Fisher, Odetta, Dion, Larry Coryell, Darlene Love, LaLa Brooks, Ronnie Spector, Lou Rawls, Zubin Mehta, Donald Fagan, Uncle Floyd, Al Kooper, Stanley Jordan, Steven Van Zandt, Ben E. King, Cissy Houston, John Lloyd Young (star of 'Jersey Boys' on Broadway), and many other notables. Recently, he has been subbing the keyboards chair at times with the current incarnation of BLOOD SWEAT & TEARS, featuring the great Rob Paparozzi on vocals and harmonica.

His Broadway experience includes a 3-month stint as Interim Associate Conductor on 'Hairspray' (where he subbed the Key 2 chair regularly), as well as 'Leader Of The Pack (The Ellie Greenwich Musical'), 'Smokey Joe's Cafe', 'Taboo', 'Brooklyn', and 'Hot Feet'. Off-Broadway, he has been Musical Director for 'Dream A Little Dream (The Mamas & Papas Musical)', which ran from May-August 2003; and played the Piano/Keyboard chair for 'Caroline, or Change', the Tony Kushner-Jeanine Tesori musical that ran at the Public Theater in NYC from Oct '03-Feb '04.

Alstrom realized a childhood dream in 2004 when he was asked to be the weekend (Sat/Sun) Organist at YANKEE STADIUM, where he filled the seat at the mighty Hammond Colonnade formerly occupied by the great Eddie Layton, who retired after a 37-year stint. From the time he was 9 years old and his father took him to his first Yankee game against the Washington Senators
(in which Frank Howard hit a galvanic 500+ ft. home run to cavernous left center off Bill Monboquette, if I recall), young Alstrom heard that organ at the Stadium and said, "I wanna do THAT". He never dreamed he'd actually get to do it!!

The last "day job they tell you not to quit" was at FOSTEX in Boonton, NJ, where Ed was National Sales Manager for their Pro/AV line of products until June of '09.
Prior to that, he was at Casio Inc. in Dover, NJ where Alstrom was the Product Manager for the Keyboard Division for the better part of 16 years. He had design input with Casio's R&D in Japan with the musical instruments, and composed and arranged a lot of the music that went into them for many years.
That Trine Door Chime you have may have also been programmed by Alstrom. He has also done product demonstrations on QVC and HSN for Yamaha keyboards, and Ion and Silvertone guitars; and has done product reviews for Keyboard Magazine.

He is also performing regularly in some other very diverse contexts, outlined in the Events area of this site.

Ed has recorded three CDs of this own to date:

GETTIN' ORGAN-IZED! with Ed Alstrom at the Hammond Organ
(Haywire 003)
Personnel: Ed Alstrom (Hammond organ, vocal); Charlie Jones (guitar); Don Guinta (drums).

Ed releases his first organ CD, showcasing his daring and driving approach to the Hammond, with the muscular playing of Charlie Jones and Don Guinta in sympathetic support. A gutbusting mix of R&B, blues, jazz, and 50's pop stylings, and Ed shows his total command of all of the Hammond's tonal resources, as well as kicking some impressive bass pedals.

1) Smoker's Hack (Alstrom)
2) Drop Dead Love (Jones)
3) Oofah (Alstrom)
4) Sup Fazha (Alstrom)
5) Booganova (Jones)
6) Out Of My Name (Dupree)
7) Tell Her I Said Goodbye (Alstrom)
8) Ffeh (Alstrom)
9) Mmeh (Alstrom)
10) Reasons (White/Bailey/Stepney)
11) Du Bu Baba Du Be (Alstrom)
12) Cumana (Allen/Spina/Hillman)
13) Something To Drink (Alstrom)
14) Ka-Binga (Alstrom


Acid Cabaret (Haywire 002)
Personnel: Ed Alstrom (piano, vocals); Jeff Ganz (bass); Don Guinta (drums).

I hate to use the words "Award-Winning". but Acid Cabaret actually was! This group attacked the NY Cabaret circuit in 2002-03, and was very favorably reviewed (see the PRESS area of this site), and Alstrom garnered the prestigious Backstage Bistro award and an ASCAP Songwriter Award for this venture.

  1. If You Give Me Your Attention (William S. Gilbert - Sir Arthur Sullivan) - Music Clip
  2. Woman Trouble (Alvin Lee) - Music Clip
  3. Acid Cabaret (Ed Alstrom) - Music Clip
  4. Everything I've Got (Richard Rodgers - Lorenz Hart)
  5. On The Street Where You Live (Alan Jay Lerner - Frederick Loewe) - Music Clip
  6. This Nearly Was Mine (Richard Rodgers - Oscar Hammerstein)
  7. Still Of The Night (Joe Sharone) - Music Clip
  8. Tight Woman (Joseph Pleasant, aka Cousin Joe)
  9. Trapped In A Good Marriage (Ed Alstrom)
  10. Falling Leaves (Frankie Carle - Mack David)
  11. Stupid Day (Ed Alstrom)
  12. Had You Told It Like It Was (Gene Redd - Sonny Thompson)
  13. Theme From An Imaginary Western (Jack Bruce - Peter Brown)
  14. Azalea (Duke Ellington)
  15. People Gonna Talk (William Wheeler - Lee Dorsey - Morris Levy - Clarence L. Lewis)
  16. Somewhere In America (David Was - Don Was)
  17. My Mumblin' Baby (Ridu Green)



Ed Alstrom - The Record People Are Coming (Haywire 001)
Personnel: Ed Alstrom (piano, vocals); Chris Meyers (bass); Frank Pagano (drums)

The "Acid Cabaret" concept in its infancy, circa 1996. Comprised mostly of Alstrom originals, plus covers of songs by Duke Ellington, and Percy Mayfield. A bit ahead of its time (a nice way of saying it was too obtuse, personal, and overboard for most listeners), it holds up nicely today as a fascinating curio, and the breeding ground from whence Acid Cabaret sprung.

Tracks: Piano Whore; Trapped In A Good Marriage; Stupid Day; Solitude; The Record People Are Coming; 8-Ball Motel; Fully Cured Romantic; Prayer; Buley's Formula Hotel Del Centro; Burning Embers; I Made It Just The Same; I'll Wait; Morning.

Wanna get these? Drop me an e-mail at the contact link...

revised 1/5/10